Anthem · War and march · 1868 · Americas
La Bayamesa
La Bayamesa (Himno de Bayamo)
Cuba's national anthem, written on horseback in the town of Bayamo in 1868 during the fight for independence from Spain.
- Words
- Perucho Figueredo
- Music
- Perucho Figueredo; Antonio Rodríguez Ferrer
- Culture
- Cuban independence fighters; later the Republic of Cuba
- Language
- Spanish
- Place
- Bayamo, Cuba
- Date
- 20 October 1868
- Type
- Anthem · War and march
- The words
- Public domain (words by Perucho Figueredo (1868; he was executed two years later))
The story
"La Bayamesa", officially the "Himno de Bayamo" (Bayamo Anthem), was first performed in 1868 during the Battle of Bayamo. On 20 October 1868 Cuban forces obtained the surrender of the Spanish colonial authorities in Bayamo, and the jubilant townspeople surrounded Perucho Figueredo, who had taken part in the battle, and asked him to write an anthem to the melody they were humming. He wrote the words there and then, in the saddle of his horse; the original was longer than the official version of today. He composed the melody together with Antonio Rodríguez Ferrer, who contributed its opening notes.
Two years later Figueredo was captured by the Spanish and executed by firing squad. Just before the order to fire, he shouted a line of his own song.
The song originally had three verses. When Cuba adopted it as its national anthem in 1902, on the foundation of the Republic, the last two were left out, because they were seen as excessively anti-Spanish and too long compared with the first. The anthem was kept after the revolution of 1959.
Two other well-known Cuban songs share the name. The first "La Bayamesa" was composed in 1851 by Carlos Manuel de Céspedes and José Fornaris at the request of their friend Francisco Castillo Moreno, who is sometimes also credited with its words; after 1868, during the Cuban war, a "mambí" version with the same melody and different words became popular. In 1918 the composer and trovador Sindo Garay of Santiago de Cuba wrote "Mujer Bayamesa", which popular use shortened to "La Bayamesa".
What it says
A call to the people of Bayamo and of all Cuba to take up arms for the homeland and throw off Spanish rule, holding that to die for one's country is an honour and no cause for fear. The mood is urgent and martial.
The words
Al combate corred Bayameses,To combat run, men of Bayamo,
que la patria os contempla orgullosa,for the homeland looks on you with pride;
No temais una muerte gloriosado not fear a glorious death,
que morir por la patria es vivir!for to die for the homeland is to live!
En cadenas vivir, es vivirTo live in chains is to live
en afrenta y oprobio sumido.sunk in affront and disgrace.
Del clarín escuchad el sonido.Hear the sound of the bugle.
¡á las armas valientes corred!To arms, brave ones, run!
Del clarín escuchad el sonido.Hear the sound of the bugle.
¡á las armas valientes corred!To arms, brave ones, run!
No temais los feroces IberosDo not fear the fierce Iberians:
Son cobardes cual todo tiranothey are cowards, like every tyrant;
no resisten al brazo Cubanothey cannot withstand the Cuban arm;
para siempre su imperio calló.their empire has fallen for ever.
¡Cuba libre! ya España murióFree Cuba! Spain has died now;
su poder y su orgullo ¿do es ido?its power and its pride, where have they gone?
¡del clarín escuchad el sonidoHear the sound of the bugle,
¡¡a las armas!! valientes, corred!to arms! brave ones, run!
Contemplad nuestras huestes triunfantesBehold our triumphant hosts,
contempladlos a ellos caídos,behold them, fallen,
por cobardes huyeron vencidos:as cowards they fled, defeated:
por valientes sabemos triunfar!as brave men we know how to triumph!
¡Cuba libre! podemos gritarFree Cuba! we can cry
del cañón al terrible estampido,at the terrible blast of the cannon;
¡del clarín escuchad el sonido,hear the sound of the bugle,
¡¡á las armas!! valientes, corred!to arms! brave ones, run!
Original: Perucho Figueredo (1868). Text from Wikisource; public domain.
The English is the Institute’s own translation, made from the original for this page.
Notes on the translation (4)
- line 1.1: 'Bayameses': the people of Bayamo, the town in eastern Cuba where the song was first sung (1868).
- lines 2.4, 4.4, 6.4: 'valientes' is read as an address ('brave ones'); it can also be taken as 'run bravely'.
- line 3.4: the text has 'calló' ('fell silent'), here read as 'cayó' ('fell'), which the sense requires; literally 'their empire has fallen silent for ever'.
- line 4.2: '¿do es ido?' is an archaic 'where has it gone?'.
Listen
On YouTube, from the channel Coro Nacional de Cuba - Topic. Pressing play loads YouTube’s player. Watch on YouTube
People, places and events
Sources
- Wikipedia, "La Bayamesa", https://en.wikipedia.org/wiki/La_Bayamesa
Cite this page
- APA
- The Epoch Institute. (2026). La Bayamesa. In Songs in History. https://the-epoch-institute.org/songs/la-bayamesa
- MLA
- “La Bayamesa.” Songs in History, The Epoch Institute, 2026, https://the-epoch-institute.org/songs/la-bayamesa. Accessed .
- Chicago
- The Epoch Institute. “La Bayamesa.” Songs in History. 2026. https://the-epoch-institute.org/songs/la-bayamesa.
- Harvard
- The Epoch Institute (2026) ‘La Bayamesa’, Songs in History. Available at: https://the-epoch-institute.org/songs/la-bayamesa (Accessed: ).