Lament · Sacred · 1842 · Europe
Va, pensiero (Chorus of the Hebrew Slaves)
Va, pensiero
A chorus from Verdi's opera Nabucco (1842), sung by Hebrew exiles in Babylon who long for their lost homeland.
- Words
- Temistocle Solera
- Music
- Giuseppe Verdi
- Culture
- Italian opera audiences of the Risorgimento era; later Italians at large
- Language
- Italian
- Place
- Milan, Italy
- Date
- 1842 (premiere of Nabucco at La Scala)
- Type
- Lament · Sacred
- The words
- Public domain (words by Temistocle Solera (Nabucco, 1842; he died in 1878))
The story
"Va, pensiero", also called the Chorus of the Hebrew Slaves, is a chorus from Giuseppe Verdi's opera Nabucco, first staged in 1842. It recalls the Babylonian captivity after the destruction of Solomon's Temple in Jerusalem in 586 BC: the exiled Hebrews sing of their homeland. The libretto is by Temistocle Solera, who drew on Psalm 137.
Verdi wrote Nabucco at a hard moment in his life: his wife and children had all just died of illness. Despite a reported vow to give up opera, he was under contract to La Scala, and its director, Bartolomeo Merelli, pressed the libretto on him. At home Verdi happened to open it at "Va, pensiero" and, he later said, heard the words singing. At the first rehearsal the stagehands cheered and beat their tools on the floor and the sets. Verdi later said that this was the opera with which his artistic career really began, and the opera with its chorus established him as a major composer in 19th-century Italy.
Some scholars have held that the chorus was meant as an anthem for Italian patriots seeking to unify the country and free it from foreign rule in the years up to 1861, the exiles' longing for a lost homeland being thought to speak to many Italians. Some modern scholars reject this, seeing no link between Verdi's operas of the 1840s and 1850s and Italian nationalism, except for some passages of I Lombardi (1843). Other recent work, including Philip Gossett's study of the choruses of the 1840s, suggests that this revisionist view may have gone too far in dismissing the political meaning of "Va, pensiero".
When Verdi died, onlookers in the streets of Milan began singing "Va, pensiero" as his funeral procession passed. A month later, when he was reburied beside his wife at the Casa di Riposo, the young Arturo Toscanini conducted a choir of 820 singers in it.
On 27 January 1981 the journalist Giorgio Soavi proposed, in a letter published by Indro Montanelli in Il Giornale, that "Va, pensiero" replace Italy's national anthem. The idea was discussed and dropped, then taken up again without result by Senator Umberto Bossi in 2009; Bossi's party, Lega Nord, has adopted it as its official hymn and sings it at all party meetings. In 2011, after conducting the chorus during Nabucco at the Teatro dell'Opera in Rome, Riccardo Muti made a short speech against cuts to Italy's arts budget and asked the audience to sing it with the chorus in support of culture.
What it says
The exiled Hebrews, captive in Babylon, send their thoughts home to the country they have lost and pray for the strength to endure. The mood is a slow, solemn longing for home, sung by the whole people as one voice.
The words
Va, pensiero, sull'ali dorate;Go, thought, on golden wings;
va, ti posa sui clivi, sui colli,go, alight on the slopes, on the hills,
ove olezzano tepide e molliwhere, warm and soft, there breathe their fragrance
l'aure dolci del suolo natal!the sweet breezes of the native soil!
Del Giordano le rive saluta,Greet the banks of the Jordan,
di Sionne le torri atterrate.the toppled towers of Zion.
O, mia patria, sì bella e perduta!O my homeland, so beautiful and lost!
O, membranza, sì cara e fatal!O remembrance, so dear and fatal!
Arpa d'or dei fatidici vati,Golden harp of the prophetic seers,
perché muta dal salice pendi?why do you hang mute from the willow?
Le memorie nel petto raccendi,Rekindle the memories in our breast,
ci favella del tempo che fu!speak to us of the time that was!
O simile di Sòlima ai fatiEither, like the fates of Solyma,
traggi un suono di crudo lamento,draw forth a sound of harsh lament,
o t'ispiri il Signore un concentoor may the Lord inspire in you a harmony
che ne infonda al patire virtù!that may instil in us strength to endure suffering!
Original: Temistocle Solera, Nabucco (1842); as quoted in Wikipedia's article. Text from Wikipedia; public domain.
The English is the Institute’s own translation, made from the original for this page.
Notes on the translation (9)
- The source file names Edward Downes as translator; this English is a new line-by-line translation of the Italian, not his.
- line 1.3-4: literally 'where are fragrant, warm and soft, / the sweet airs of the native soil'; 'aure' are breezes or airs.
- line 2.4: 'membranza' is a poetic form of 'rimembranza' (remembrance, memory); 'fatal' is 'fateful' as well as 'deadly', the memory bound up with their fate.
- line 3.1: 'vati' are poet-prophets (Latin vates); 'fatidici' means prophetic, foretelling fate. The harp hanging on the willow recalls Psalm 137.
- line 3.3-4: 'raccendi' and 'favella' are imperatives addressed to the harp; 'ci' is 'to us'.
- line 4.1: 'Sòlima' is Solyma, an old poetic name for Jerusalem. The phrase 'O simile di Sòlima ai fati' is compressed: 'either, like [one who sings] the fates of Jerusalem' or 'either, in keeping with Jerusalem's fate'; readings differ.
- line 4.2: 'crudo' is raw, harsh or bitter.
- line 4.3: 'concento' is a harmony or concord of sounds.
- line 4.4: 'virtù' here is strength or fortitude (the power to bear 'il patire', suffering); 'ne' is 'in us'.
Listen
On YouTube, from the channel Royal Ballet and Opera. Pressing play loads YouTube’s player. Watch on YouTube
What it inspired
- Lega Nord official hymn 2009adopted as party hymn
- Cabrini (film)sung in the film by a chorus of Italian children
What it drew on
- Psalm 137 ancientthe libretto was inspired by it
People, places and events
Sources
- Wikipedia, "Va, pensiero", https://en.wikipedia.org/wiki/Va,_pensiero
- Philip Gossett, "Le 'edizioni distrutte' e il significato dei cori operistici nel Risorgimento", Il Saggiatore musicale 12 (2), 2005
- Roger Parker, "Verdi and Milan", lecture at Gresham College, London, 2007
- Mary Jane Phillips-Matz, Verdi: A Biography, 1993
- Franz Werfel and Paul Stefan, Verdi: The Man in His Letters, translated by Edward Downes, 1973
Cite this page
- APA
- The Epoch Institute. (2026). Va, pensiero (Chorus of the Hebrew Slaves). In Songs in History. https://the-epoch-institute.org/songs/va-pensiero
- MLA
- “Va, pensiero (Chorus of the Hebrew Slaves).” Songs in History, The Epoch Institute, 2026, https://the-epoch-institute.org/songs/va-pensiero. Accessed .
- Chicago
- The Epoch Institute. “Va, pensiero (Chorus of the Hebrew Slaves).” Songs in History. 2026. https://the-epoch-institute.org/songs/va-pensiero.
- Harvard
- The Epoch Institute (2026) ‘Va, pensiero (Chorus of the Hebrew Slaves)’, Songs in History. Available at: https://the-epoch-institute.org/songs/va-pensiero (Accessed: ).