Salve Regina

A Latin evening hymn to Mary from the Middle Ages, sung by monks on the way to bed and much loved by sailors.

Words
anonymous (traditionally ascribed to Hermann of Reichenau, Bernard of Clairvaux, Peter of Compostela, Adhemar of Le Puy and others)
Music
anonymous (Gregorian chant)
Culture
Latin Christians of western Europe
Language
Latin
Place
not known; set down in largely its current form at the Abbey of Cluny, present-day France
Date
Middle Ages; current form set down at Cluny in the 12th century
Type
Sacred
The words
Public domain (lyrics anonymous (Middle Ages; traditionally ascribed to Hermann of Reichenau, 11th century))

The story

The Salve Regina ("Hail, Queen"), also known as the Hail Holy Queen, is a Marian hymn and one of four Marian antiphons sung at different seasons of the Catholic Church's year. It was composed in Latin during the Middle Ages. Tradition has ascribed it to the eleventh-century German monk Hermann of Reichenau, and also to Bernard of Clairvaux, Peter of Compostela and Adhemar of Le Puy, among others, but most musicologists regard it as anonymous.

Marian antiphons have been sung at the close of Compline, the last Office of the day, since the thirteenth century, and the Salve Regina is the best known of the four. Its place after Compline probably goes back to the monastic custom of intoning it in chapel and chanting it on the way to the sleeping quarters. It was set down in largely its present form at the Abbey of Cluny in the 12th century, where it served as a processional hymn on Marian feasts, and the Cistercians chanted it daily from 1218. The text sung today is almost exactly the original: one word of the first line seems to have been added in the 16th century, and one of the last line in the 13th.

In the 1220s or 1230s the Dominican friars of Bologna adopted a nightly Salve procession at Compline, and the practice soon spread through the whole order; because the Dominicans were already spread across Europe, the hymn's popularity is largely credited to them. Pope Gregory IX, on the advice of the Dominican Raymond of Penyafort, introduced it in the diocese of Rome on Fridays at Compline, and many dioceses and orders took it up during the 13th century. It was also popular at medieval universities as an evening song, became part of the ritual for blessing a ship, and was especially dear to sailors.

Later centuries gave it new uses. Pope Pius VI attached an indulgence to its recitation by a decree of 5 April 1786. In the 18th century Alphonsus Liguori built his book The Glories of Mary on its outline. Pope Leo XIII added it to the prayers said at the end of Low Mass; it is traditionally sung at the end of a priest's funeral Mass and said at the end of the Rosary. In 1687 the German priest Johann Georg Seidenbusch, inspired by the pilgrimages to Aufhausen Priory, published a hymn whose salutations come mostly from the Salve Regina; its English version, "Hail, Holy Queen enthroned above", first appeared in The Roman Missal in 1884.

Victoria, Palestrina, Josquin, Lassus, Charpentier, Pergolesi, Alessandro Scarlatti, Vivaldi, Zelenka, Handel and Liszt all set the text; Schubert wrote no fewer than seven versions, Poulenc one in 1941, and Arvo Pärt one first performed in Essen Cathedral in 2002. Salve Regina University, founded by the Sisters of Mercy in 1934, is named after the hymn.

What it says

The hymn greets Mary as queen and mother and turns to her for help and mercy. It is sung as an evening prayer at the close of the day, and its tone is humble and trusting. Later devotion read it as presenting Mary as a "Gate of Heaven" given to humankind.

The words

Salve, Regína,Hail, Queen,

Mater misericórdiæMother of mercy,

vita, dulcédo et spes nostra, salve.our life, sweetness and hope, hail.

Ad te clamámus,To you we cry out,

éxsules filii Evæ,exiled children of Eve,

Ad te suspirámus geméntes et flentesTo you we sigh, groaning and weeping

in hac lacrimárum valle.in this valley of tears.

Eia ergo, advocáta nostra,Come then, our advocate,

illos tuos misericórdes óculosthose merciful eyes of yours

ad nos convérte.turn towards us.

Et Iesum, benedíctum fructumAnd Jesus, the blessed fruit

ventris tui,of your womb,

nobis, post hoc exsílium osténde.show to us after this exile.

O clemens, o pia, o dulcis Virgo María.O merciful, O kind, O sweet Virgin Mary.

Original: Traditional (Latin text as in the Vatican's edition). Text from Wikisource; public domain.

The English is the Institute’s own translation, made from the original for this page.

Notes on the translation (3)
  • lines 1 and 3: 'Salve' is a greeting ('hail', literally 'be well'); it opens line 1 and closes line 3.
  • line 8: 'Eia' is an exclamation of urging, 'come now', 'ah then'; 'advocata' is one who pleads another's case.
  • line 14: 'clemens' is merciful, mild; 'pia' is dutiful, loving, kind. This closing line is often said to be a later addition, sometimes credited to Bernard of Clairvaux (disputed).

Listen

On YouTube, from the channel Gregorian Chant Academy. Pressing play loads YouTube’s player. Watch on YouTube

What it inspired

  • Gegrüßet seist du, Königin (Johann Georg Seidenbusch) 1687adapted as (a hymn of salutations taken mostly from the Salve Regina)
  • Salve Regina coelitum after 1687translation (Latin version of Seidenbusch's hymn)
  • Hail, Holy Queen enthroned above 1884translation (English version of Seidenbusch's hymn, The Roman Missal)
  • The Glories of Mary (Alphonsus Liguori) 18th centuryadapted as (the book's outline)
  • Settings by Victoria, Palestrina, Josquin, Lassus, Charpentier (5), Clérambault, Pergolesi (3), Porpora (3), Alessandro Scarlatti, Vivaldi, Zelenka, Hasse (3), Handel and Liszt 15th-19th centuriesadapted as
  • Seven settings (Franz Schubert) 19th centuryadapted as
  • Salve Regina (Francis Poulenc) 1941adapted as
  • Salve Regina (Arvo Pärt) 2002adapted as
  • Salve Regina, organ work in seven movements (Olivier Latry) 2007same melody (reflects the hymn's lines in Gregorian chant)
  • Oh What a Circus (Evita, Andrew Lloyd Webber and Tim Rice) 1976quoted in (the words of the first verse as a repeating theme)
  • Sister Act (film) 1992adapted as (Hail, Holy Queen enthroned above, sung by a nuns' choir, then in a soul and gospel arrangement)

People, places and events

Hermann of ReichenauBernard of ClairvauxPeter of CompostelaAdhemar of Le PuyPope Gregory IXRaymond of PenyafortAlphonsus LiguoriPope Pius VIPope Leo XIIIJohann Georg SeidenbuschFranz SchubertFrancis PoulencArvo PärtAbbey of ClunyBolognaRomeAufhausen PrioryEssen CathedralCompline

Sources

Cite this page
APA
The Epoch Institute. (2026). Salve Regina. In Songs in History. https://the-epoch-institute.org/songs/salve-regina
MLA
“Salve Regina.” Songs in History, The Epoch Institute, 2026, https://the-epoch-institute.org/songs/salve-regina. Accessed .
Chicago
The Epoch Institute. “Salve Regina.” Songs in History. 2026. https://the-epoch-institute.org/songs/salve-regina.
Harvard
The Epoch Institute (2026) ‘Salve Regina’, Songs in History. Available at: https://the-epoch-institute.org/songs/salve-regina (Accessed: ).

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