Warszawianka (Whirlwinds of Danger)

Warszawianka

A Polish workers' song from about 1880, written by a man in prison, later sung in Russian, English and Spanish.

Words
Wacław Święcicki
Music
Józef Pławiński
Culture
Polish socialists and the workers' movement
Language
Polish
Place
Warsaw, Poland (Russian partition)
Date
between 1879 and 1883
Type
Protest and freedom
The words
Public domain (words by Wacław Święcicki, 1879 or 1883; widely sung by the 1890s)

The story

"Warszawianka" is a Polish socialist revolutionary song written between 1879 and 1883. Its title, which means a woman of Warsaw (and can be rendered "The Varsovian" or "The Song of Warsaw"), deliberately recalls an earlier Polish song of the same name; to tell them apart it is often called "Warszawianka of 1905", after it became the anthem of the workers' protests of the Revolution in the Kingdom of Poland (1905–1907), when 30 workers were shot at the May Day demonstrations in Warsaw in 1905.

By one account Wacław Święcicki wrote the words in 1879 while imprisoned for socialist activity in the Tenth Pavilion of the Warsaw Citadel; by another he wrote them in 1883, just after returning from exile in Siberia. The music is by Józef Pławiński, who was imprisoned with him, and draws partly on "Marsz Żuawów", a song of the January Uprising. By the early 1890s it was one of the most popular revolutionary songs in Russian-ruled Poland.

The song spread across languages and causes. A Russian version, "Varshavianka", which removed every mention of Warsaw, is usually credited to Gleb Krzhizhanovsky and dated to 1897, when he was in prison; it became very popular. In the 1920s Douglas Robson of the Industrial Workers of the World wrote English words, "March Song of the Workers", better known as "Whirlwinds of Danger"; "Rufus John" Goss recorded it in London around 1925, Paul Robeson sang its first verse and Leon Lishner the whole, and in 1938 a version with new second and third verses by Randall Swingler was published. In the early 1930s Valeriano Orobón Fernández made the Spanish "A las barricadas", one of the most popular songs of the Spanish anarchists in the Spanish Civil War, and in the early 2010s the Burmese student activist Zin Linn wrote a Burmese version from the Spanish. The army of East Germany marched to a German translation, and France's 1st Parachute Hussar Regiment adopted the tune with other words. Isadora Duncan made a dance, "Varshavianka", to it in 1924.

The tune is heard in films: Battleship Potemkin (1925), in scenes of Odesa in the Revolution of 1905; The Youth of Maxim, sung by demonstrating workers; Hostile Whirlwinds (1953), named after the first words of the Russian version; Doctor Zhivago; The Jackal; Hail, Caesar!; and the Polish series 1983 (2018). The Prague Revolutionary Choir sings it in Polish and Spanish in turn.

What it says

A socialist revolutionary march of the workers' movement; defiant and solemn.

The words

Śmiało podnieśmy sztandar nasz w górę!Boldly let us raise our banner high!

Choć burza wrogich żywiołów wyje,Though the storm of hostile elements howls,

Choć nas dziś gnębią siły ponure,Though grim forces oppress us today,

Chociaż niepewne jutro niczyje...Though tomorrow is certain for no one...

O!... bo to sztandar całej ludzkości,Oh!... for it is the banner of all mankind,

To hasło święte, pieśń zmartwychwstania,It is the holy watchword, the song of resurrection,

To tryumf pracy — sprawiedliwości,It is the triumph of labour — of justice,

To zorza wszystkich ludów zbratania.It is the dawn of the brotherhood of all peoples.

Naprzód, Warszawo!Forward, Warsaw!

Na walkę krwawą,To the bloody fight,

Świętą a prawą!Holy and just!

Marsz, marsz, Warszawo!...March, march, Warsaw!...

Dziś, gdy roboczy lud ginie z głodu,Today, when the working people are dying of hunger,

Zbrodnią w rozkoszy tonąć, jak w błocie;To drown in luxury is a crime, as in mud;

I hańba temu, kto z nas za młoduAnd shame on him among us who in his youth

Lęka się stanąć choć na szafocie!Is afraid to stand even on the scaffold!

Nikt za ideę nie ginie marnie,No one dies in vain for an idea,

Z czasem zwycięża Chrystus Judasza!In time Christ overcomes Judas!

Niech święty ogień młodość ogarnie,Let holy fire seize the young,

Choć wielu padnie — lecz przyszłość nasza!Though many will fall — yet the future is ours!

Naprzód, Warszawo! itd. itd.Forward, Warsaw! etc. etc.

Hura!... zerwijmy z carów korony,Hurrah!... let us tear the crowns from the tsars,

Gdy ludy dotąd chodzą w cierniowej;While the peoples still go in crowns of thorns;

I w krwi zatopmy nadgniłe trony,And let us drown the half-rotten thrones in blood,

Spurpurowione we krwi ludowej!...Crimsoned in the blood of the people!...

Ha!... zemsta straszna dzisiejszym katom,Ha!... terrible vengeance on today's executioners,

Co wysysają życie z miljonów!...Who suck the life out of millions!...

Ha!... zemsta carom i plutokratom!Ha!... vengeance on the tsars and plutocrats!

A przyjdzie żniwo przyszłości plonów!And the harvest of the future's crops will come!

Naprzód, Warszawo! itd.Forward, Warsaw! etc.

Original: Wacław Święcicki (1879 or 1883). Text from Wikisource; public domain.

The English is the Institute’s own translation, made from the original for this page.

Notes on the translation (4)
  • line 4.2: 'Zbrodnią w rozkoszy tonąć, jak w błocie' is elliptical: 'it is a crime to drown in pleasure (luxury) as in mud'.
  • line 4.9 and 5.9: 'itd.' (i tak dalej, 'and so on') marks the refrain of stanza 3 to be sung again; rendered 'etc.'.
  • line 5.2: 'chodzą w cierniowej' leaves the noun unsaid: 'go in a thorny [crown]', i.e. a crown of thorns, set against the tsars' crowns.
  • line 5.8: 'żniwo przyszłości plonów' = literally 'the harvest of the crops of the future'.

Listen

On YouTube, from the channel The Red Army Choir - Topic. Pressing play loads YouTube’s player. Watch on YouTube

What it inspired

  • Varshavianka (Gleb Krzhizhanovsky) 1897Russian version
  • Varshavianka (Isadora Duncan) 1924dance to the tune
  • Whirlwinds of Danger / March Song of the Workers (Douglas Robson) 1920sEnglish version
  • Whirlwinds of Danger (Randall Swingler's verses) 1938English version
  • A las barricadas (Valeriano Orobón Fernández) early 1930sSpanish version
  • Burmese version (Zin Linn) early 2010stranslation from the Spanish
  • German version (East German army)translation
  • 1st Parachute Hussar Regiment marchsame melody, other words
  • Battleship Potemkin (film) 1925quoted in (instrumental)
  • Hostile Whirlwinds (film) 1953title taken from the Russian version's first words

What it drew on

  • Warszawianka (1831) 1831title deliberately recalls it
  • Marsz Żuawów (song of the January Uprising)melody drawn on in part

People, places and events

Wacław ŚwięcickiJózef PławińskiGleb KrzhizhanovskyIsadora DuncanDouglas RobsonRufus John GossPaul RobesonLeon LishnerRandall SwinglerValeriano Orobón FernándezZin LinnWarsawWarsaw CitadelSiberiaOdesaMoscowJanuary UprisingRevolution in the Kingdom of Poland (1905–1907)Russian Revolution of 1905Spanish Civil War

Sources

Cite this page
APA
The Epoch Institute. (2026). Warszawianka (Whirlwinds of Danger). In Songs in History. https://the-epoch-institute.org/songs/warszawianka
MLA
“Warszawianka (Whirlwinds of Danger).” Songs in History, The Epoch Institute, 2026, https://the-epoch-institute.org/songs/warszawianka. Accessed .
Chicago
The Epoch Institute. “Warszawianka (Whirlwinds of Danger).” Songs in History. 2026. https://the-epoch-institute.org/songs/warszawianka.
Harvard
The Epoch Institute (2026) ‘Warszawianka (Whirlwinds of Danger)’, Songs in History. Available at: https://the-epoch-institute.org/songs/warszawianka (Accessed: ).

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