Jana Gana Mana

জনগণমন / Jana Gana Mana

India's national anthem, written in Bengali by the poet Rabindranath Tagore in 1911. A formal performance lasts about 52 seconds.

Words
Rabindranath Tagore
Music
Rabindranath Tagore (possibly with help from Dinendranath Tagore)
Culture
Bengalis; India
Language
Bengali (Sadhu Bhasha)
Place
Calcutta (Kolkata), India
Date
11 December 1911
Type
Anthem · Sacred
The words
Public domain (words and music by Rabindranath Tagore (1911; he died in 1941))

The story

"Jana Gana Mana" is the first of five stanzas of a Bengali hymn, "Bharoto Bhagyo Bidhata", which Rabindranath Tagore, India's first Nobel laureate, completed on 11 December 1911. He wrote it in Sadhu Bhasha, a Sanskritised literary register of Bengali, as a hymn for the monotheistic Brahmo Samaj, and set it himself in the raga Alhaiya Bilaval, possibly with help from his grand-nephew Dinendranath Tagore. It was first sung in public on 27 December 1911, the second day of the Indian National Congress session in Calcutta, and was published in January 1912 in the Tattwabodhini Patrika, the Brahmo Samaj journal Tagore then edited. For some years it was known mainly to that journal's readers.

The first performance led to a lasting controversy. Several British-Indian newspapers reported that Tagore had sung a song composed to welcome King George V. Many historians hold that these reports were mistaken: the nationalist press and the Congress's own report describe Tagore's song as a patriotic prayer, followed by a loyal resolution and by another song, "Badshah Humara" by Rambhuj Chaudhary, written in praise of the king. In letters of 10 November 1937 and 19 March 1939 Tagore wrote that the Lord of Destiny of his song could never be any King George. These statements came after George V's death in 1936; Tagore had renounced the knighthood the king gave him in 1915, in protest at the Jallianwala Bagh massacre of 1919.

On 28 February 1919 Tagore sang the song at the Besant Theosophical College in Madanapalle. Its vice-principal Margaret Cousins wrote the melody down in Western notation from his notes, and Tagore translated it into English there as "The Morning Song of India"; James Cousins described the evening in his autobiography We Two Together. The Doon School in Dehradun took it as its school song in 1935, and it was heard in the film Hamrahi in 1945. Subhas Chandra Bose chose it as the national anthem while he was in Germany, and on 11 September 1942 the Hamburg Radio Symphony Orchestra played it as India's anthem at the founding of the German-Indian Society.

At midnight on 14 August 1947 the Constituent Assembly's first session as a sovereign body closed with it, and that year the Indian delegation gave a recording of it to the United Nations General Assembly in New York as the national anthem. On 24 January 1950 the Constituent Assembly adopted the first stanza as the national anthem, with "Vande Mataram" honoured equally as the national song. A formal rendition lasts about 52 seconds; a short version of the first and last lines, about 20 seconds, is also played.

Its singing has come before the courts. On 11 August 1986 the Supreme Court ruled that students of the Jehovah's Witnesses expelled in Kerala for standing silently during the anthem had done nothing unlawful, since no law obliges anyone to sing it. On 30 November 2016 the Supreme Court ordered all cinemas to play the anthem before films; arrests and harassment of people who did not stand followed, and in January 2018 the order was lifted. The list of regions in the stanza has also been disputed: in 2005 the Supreme Court declined to replace "Sind", now in Pakistan, and in 2013 an Assam legislator asked for "Kamarup" to be restored. It holds a Guinness record for the most people singing a national anthem at once.

What it says

A hymn to the God of India's destiny, the "Bhagya Bidhata" of its original title, whom Tagore described as the guide of India through its rise and fall over the ages. The stanza sung as the anthem names India's regions, mountains and rivers and hails that guide's victory; the later stanzas of the full hymn turn to the country's many religions. The mood is solemn and joyful.

The words

জনগণমন-অধিনায়ক জয় হে ভারতভাগ্যবিধাতা!janagaṇamana-adhināẏaka jaẏa he bhāratabhāgyabidhātā!

পঞ্জাব সিন্ধু গুজরাট মরাঠা দ্রাবিড় উৎকল বঙ্গpañjāba sindhu gujarāṭa marāṭhā drābiṛa utkala baṅga

বিন্ধ্য হিমাচল যমুনা গঙ্গা উচ্ছলজলধিতরঙ্গbindhya himācala yamunā gaṅgā ucchalajaladhitaraṅga

তব শুভ নামে জাগে, তব শুভ আশিষ মাগে,taba śubha nāme jāge, taba śubha āśiṣa māge,

গাহে তব জয়গাথা।gāhe taba jaẏagāthā.

জনগণমঙ্গলদায়ক জয় হে ভারতভাগ্যবিধাতা!janagaṇamaṅgaladāẏaka jaẏa he bhāratabhāgyabidhātā!

জয় হে, জয় হে, জয় হে, জয় জয় জয় জয় হে॥jaẏa he, jaẏa he, jaẏa he, jaẏa jaẏa jaẏa jaẏa he.

অহরহ তব আহ্বান প্রচারিত, শুনি তব উদার বাণীaharaha taba āhbāna pracārita, śuni taba udāra bāṇī

হিন্দু বৌদ্ধ শিখ জৈন পারসিক মুসলমান খৃস্টানীhindu bauddha śikha jaina pārasika musalamāna khr̥sṭānī

পূরব পশ্চিম আসে তব সিংহাসন-পাশেpūraba paścima āse taba siṁhāsana-pāśe

প্রেমহার হয় গাঁথা।premahāra haẏa gām̐thā.

জনগণ-ঐক্য-বিধায়ক জয় হে ভারতভাগ্যবিধাতা!janagaṇa-aikya-bidhāẏaka jaẏa he bhāratabhāgyabidhātā!

জয় হে, জয় হে, জয় হে, জয় জয় জয় জয় হে॥jaẏa he, jaẏa he, jaẏa he, jaẏa jaẏa jaẏa jaẏa he.

পতন-অভ্যুদয়-বন্ধুর পন্থা, যুগ যুগ ধাবিত যাত্রী।patana-abhyudaẏa-bandhura panthā, yuga yuga dhābita yātrī.

হে চিরসারথি, তব রথচক্রে মুখরিত পথ দিনরাত্রি।he cirasārathi, taba rathacakre mukharita patha dinarātri.

দারুণ বিপ্লব-মাঝে তব শঙ্খধ্বনি বাজেdāruṇa biplaba-mājhe taba śaṅkhadhbani bāje

সঙ্কটদুঃখত্রাতা।saṅkaṭaduḥkhatrātā.

জনগণপথপরিচায়ক জয় হে ভারতভাগ্যবিধাতা!janagaṇapathaparicāẏaka jaẏa he bhāratabhāgyabidhātā!

জয় হে, জয় হে, জয় হে, জয় জয় জয় জয় হে॥jaẏa he, jaẏa he, jaẏa he, jaẏa jaẏa jaẏa jaẏa he.

ঘোরতিমিরঘন নিবিড় নিশীথে পীড়িত মূর্ছিত দেশেghoratimiraghana nibiṛa niśīthe pīṛita mūrchita deśe

জাগ্রত ছিল তব অবিচল মঙ্গল নতনয়নে অনিমেষে।jāgrata chila taba abicala maṅgala natanaẏane animeṣe.

দুঃস্বপ্নে আতঙ্কে রক্ষা করিলে অঙ্কেduḥsbapne ātaṅke rakṣā karile aṅke

স্নেহময়ী তুমি মাতা।snehamaẏī tumi mātā.

জনগণদুঃখত্রায়ক জয় হে ভারতভাগ্যবিধাতা!janagaṇaduḥkhatrāẏaka jaẏa he bhāratabhāgyabidhātā!

জয় হে, জয় হে, জয় হে, জয় জয় জয় জয় হে॥jaẏa he, jaẏa he, jaẏa he, jaẏa jaẏa jaẏa jaẏa he.

রাত্রি প্রভাতিল, উদিল রবিচ্ছবি পূর্ব-উদয়গিরিভালে—rātri prabhātila, udila rabicchabi pūrba-udaẏagiribhāle—

গাহে বিহঙ্গম, পূণ্য সমীরণ নবজীবনরস ঢালে।gāhe bihaṅgama, pūṇya samīraṇa nabajībanarasa ḍhāle.

তব করুণারুণরাগে নিদ্রিত ভারত জাগেtaba karuṇāruṇarāge nidrita bhārata jāge

তব চরণে নত মাথা।taba caraṇe nata māthā.

জয় জয় জয় হে জয় রাজেশ্বর ভারতভাগ্যবিধাতা!jaẏa jaẏa jaẏa he jaẏa rājeśbara bhāratabhāgyabidhātā!

জয় হে, জয় হে, জয় হে, জয় জয় জয় জয় হে॥jaẏa he, jaẏa he, jaẏa he, jaẏa jaẏa jaẏa jaẏa he.

Thou art the ruler of the minds of all people, dispenser of India's destiny. Thy name rouses the hearts of the Panjaub, Sind, Gujarat and Maratha, of the Dravida and Orissa and Bengal; it echoes in the hills of the Vindhyas and Himalayas, mingles in the music of the Jamuna and Ganges and is chanted by the waves of the Indian Sea. They pray for thy blessings and sing thy praise. The saving of all people waits in thy hand, thou dispenser of India's destiny.

Victory, Victory, Victory to thee.

Day and night thy voice goes out from land to land calling the Hindus, Buddhists, Shikhs and Jains round thy throne and the Parsees, Mussalmans and Christians. The East and West join hands in their prayer to thee, and the garland of love is woven. Thou bringest the hearts of all people into the harmony of one life, thou dispenser of India's destiny.

Victory, victory, victory to thee.

The procession of pilgrims passes over the endless road rugged with the rise and fall of nations; and it resounds with the thunder of thy wheels, Eternal Charioteer! Through the dire days of doom thy trumpet sounds and men are led by thee across death. Thy finger points the path to all people, Oh dispenser of Indias destiny!

Victory, victory, victory to thee!

The darkness was dense and deep was the night. My country lay in a deathlike silence of swoon. But thy mother arms were round her and thine eyes gazed upon her troubled face in sleepless love through her hours of ghastly dreams. Thou art the companion and the saviour of the people in their sorrows, thou dispenser of India's destiny,

Victory, victory, victory to thee!

The night fades; the light breaks over the peaks of the Eastern hills; the birds begin to sing and the morning breeze carries the breath of new life. The rays of thy mercy have touched the waking land with their blessings. Victory to the King of Kings, Victory to thee, dispenser of India's destiny.

Victory, Victory, victory to thee.

Original: Rabindranath Tagore (1911), Gitabitan; the national anthem of India is its first stanza. Text from Wikisource; public domain.

The romanization is the Institute’s own (ISO 15919).

English: Rabindranath Tagore's own translation, The Morning Song of India (1919). Text from Wikisource; public domain.

Notes on the translation (5)
  • en is null: Tagore's own translation (The Morning Song of India, part 'en') is used. It is prose, 2 paragraphs a stanza (2/2/2/2/2 against orig's 7/6/6/6/6), so it cannot be set line against line.
  • Romanization: ISO 15919 as a transliteration of the Bengali letters, not of the sung pronunciation: the inherent vowel is written wherever the script has no hasanta (jaẏa, taba; sung roughly 'joy', 'tobo'); ব is b throughout (bidhātā, not vidhātā), as Bengali has no separate v letter; য় is ẏ, য is y, ড় ṛ, ঢ় ṛh, ং ṁ, ঁ m̐, ৃ r̥, ৎ t; conjuncts with ব-phalā are written letter by letter (āhbāna, śaṅkhadhbani, duḥsbapne, rājeśbara). Compounds are one word where the source writes them so, its hyphens kept. The dandas । and ॥ are given as full stops.
  • Readers who know the anthem's usual Hindi-style romanization ('Jana Gana Mana Adhinayaka Jaya He, Bharata Bhagya Vidhata') will find this stricter; the editor may want a line saying so.
  • line 5.2: the source spells 'পূণ্য' (pūṇya) for the usual 'পুণ্য' (puṇya, 'holy'); romanized as written.
  • line 2.2: 'খৃস্টানী' (khr̥sṭānī), Christians, is the source's spelling; kept as written.

Listen

On YouTube, from the channel Wild Voices Choir. Pressing play loads YouTube’s player. Watch on YouTube

What it inspired

  • The Morning Song of India (Rabindranath Tagore) 1919English translation
  • Western notation by Margaret Cousins and her students, Madanapalle 1919transcription
  • Arrangement by B. L. Mukherjee and Ambik Majumdar, played by the Hamburg Radio Symphony Orchestra 1942orchestral arrangement
  • Hamrahi (film) 1945used in
  • School song of The Doon School 1935adopted as

People, places and events

Rabindranath TagoreDinendranath TagoreMargaret CousinsJames CousinsSubhas Chandra BoseB. L. MukherjeeAmbik MajumdarRambhuj ChaudharyGeorge VPulin Bihari SenLord ChelmsfordDhananjaya Y. ChandrachudPhani Bhushan ChoudhuryCalcuttaMadanapalleHamburgNew YorkDehradunKeralaSindhKashmirJallianwala Bagh massacreIndian independence (1947)Partition of India

Sources

  • Wikipedia, "Jana Gana Mana", https://en.wikipedia.org/wiki/Jana_Gana_Mana
  • James Cousins, We Two Together (autobiography)
  • Prabhatkumar Mukherjee, Rabindrajibani, vol. II
  • The Statesman, The Englishman, Indian, Amrita Bazar Patrika and The Bengalee, reports of 28-29 December 1911
Cite this page
APA
The Epoch Institute. (2026). Jana Gana Mana. In Songs in History. https://the-epoch-institute.org/songs/jana-gana-mana
MLA
“Jana Gana Mana.” Songs in History, The Epoch Institute, 2026, https://the-epoch-institute.org/songs/jana-gana-mana. Accessed .
Chicago
The Epoch Institute. “Jana Gana Mana.” Songs in History. 2026. https://the-epoch-institute.org/songs/jana-gana-mana.
Harvard
The Epoch Institute (2026) ‘Jana Gana Mana’, Songs in History. Available at: https://the-epoch-institute.org/songs/jana-gana-mana (Accessed: ).

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